Editors Comments
Claire Collier-Jones
Hello everyone! It’s been a year in the making and I have to say I am very proud of the new Chronicle. Malcolm Butler has done a sterling job putting up with my editing queries and helping me put this whole thing together. I am sure you will all agree that the new logo, produced by Alison Offer and digitalised by Myles Stevens, is absolutely beautiful. In case you were wondering, it has been written in 10th century Winchester style. Thank you to everyone who has contributed items for this edition. Please keep the newsletter in mind over the next season and get in touch with any ideas you might have.
I hope you all enjoy reading the first edition.
The Eolder’s Ramblings
Myles Stevens
One summer at Caldicot Castle I stumbled upon some long bow reenactors. They were pretty rubbish, their scorpion broke, and they couldn’t hit a barn door at 20 paces, but there was just something about what they were doing with their spare time that lit a torch in me. Back in Swansea the very next weekend I came across Gwerin hitting each other at a sea shanty festival! A week later, with a spear in my hand I was hooked. The start of a 15-year obsession.
My life has been a constant fight against the old black dog, and I can’t overstate how Regia, the hobby, the fighting and friends have helped me with it all, we should never underestimate what Regia means to its members. At our best, we’re a community that looks out for one another, we give people purpose and a sense of belonging that it’s easy to lose in the 21st century. Vivat Regia.
We’ve all joked at what a bizarre and wide-ranging hobby this is, I’ve heard: “come for the fighting, stay for the embroidery” as one of the best summations of Regia. You can tell how long someone has been in Regia by their current obsession: swords, fabric or buckets (apologies if that’s a bit warrior-centric, I know many of you have been obsessed by fabric from day one). But what you may or may not be aware of is quite what an amazing group of people you are. In Regia, we have some of the best crafters and most knowledgeable people specializing in the early medieval anywhere, we have people doing academic quality research, some of the best ‘museum quality’ replica makers anywhere, some who’ve been inspired by Regia to turn professional and others who continue to make things for the love of it.
I believe we’re one of the earliest and one of the best, most committed re-enactment societies in the world. We’ve played a huge part in the creation of western re-enactment combat and it’s awesome to see our guys showcasing their skills far wider than ever before.
Chronicle is an opportunity to see some of our wide-ranging knowledge and passion in one place, what people want to share with the wider society, there are so many wonderful projects and activities going on. I hope that you guys find this as inspiring as I do.
Regia is at its best when everyone is involved, so if you are interested in anything here please ask about it, we need people to be involved in every aspect of our hobby. From the boats to Wychurst, the more people who sail and help with the boats the better it will be for everyone. And Wychurst – if you’ve never been, move heaven and earth to get there – is the most wonderful achievement, something that will hold up against any re-enactment society anywhere in the world, and Regia asks that if you can, be a part of it and get involved. You won’t regret it.
A Year In Regia
Military
Tom Robinson
Hear now you, pirate, what this people say?
The Battle of Maldon
They desire to you a tribute of spears to pay,
poisoned spears and old swords,
the war-gear which you in battle will not profit from.
Few Viking Age reenactors pay the spear tribute as well as Regia. From behind the many-coloured shieldwall, our spears do their grim yet effective work. The spear has long been the weapon of Regia.
For my first Chronicle entry as Military Training Officer, I wanted to reflect on some of the major changes that I have seen over my many years on the Regia battlefield. When I joined as a knobby kneed wisp of a lad, it was a battlefield dominated (somewhat inauthentically) by large numbers of super effective two handed spears. They were the weapon of every new member and viciously effective, particularly in large numbers and facing over confident armies of short arms. Since then, we have seen a remarkable transformation. The battlefield is now dominated by single handed spears, the true weapon of the Viking Age, with the occasional two handed spear working its magic, and followed up by short arms for the moment when the line breaks down and chaos reigns.
For my time in Regia, this has been the single biggest change to our battlefield. It has immediately improved our authenticity, presenting a radically different and far more authentic image for the public. Alongside changes to the old hit system which had previously placed new members at a disadvantage with one fewer hits than their more experienced comrades, it has also meant that our newer warriors can survive longer, shields firm in their fists.
I’m interested now in what changes will similarly transform the Regia battlefields of the future. The training team has no particular plans for large scale change, but I’m constantly curious about the ways we can improve. Perhaps a renewed focus on the dramatic elements of the battlefield can improve our show fights for audience and participants alike? Or will an increase in warriors taking the field with a couple of javelins bring a new clash with the mass exchange of missiles to enliven the battlefield? Or is there a change we have not even considered?
If you have ideas, let us hear them! The battlefield is constantly changing and evolving, as we experiment and benefit from the experiments of other societies. New approaches to excite the younger members and give us old hands something to grumble over.
And until the next great leap forward, there is always something new and fresh to try. After sixteen years fighting with spear and sword and axe, I took up combat archery for the first time this year and found a whole new angle to the battlefield. If you ever find yourself comfortable and confident in your place on the battlefield, then I’d urge you to try the next thing. Learn that new weapon, test your abilities as a commander, experience the entirely different approaches you can learn from knights combat or mask fighting.
The Regia battlefield remains an exiting and thrilling experience. Constantly changing, constantly improving. I cannot wait to see what future generations of fighters will bring to the field.
Missiles
Tony Peel
Different people do archery in Regia for different reasons and we do what we can to help.
Younger members can engage with the hobby while they are too young to participate in combat and it lets them compete with (and beat!) the adults. Please do remember though that the team cannot provide childcare so we encourage parents to take part as well. It can be as rewarding for you as it is for your kids.
Civilians don’t often get the chance to be competitive and the range is a place where they can. The intensive sessions are open to anyone with a certain amount of experience and tends to be fun for all involved. It also gives the opportunity to collect stamps and undertake tests which gives that sense of progression which is often missed by not being involved in military matters.
Newer members find visiting the range useful; typically all equipment is provided to let them try archery in a safe environment with no outlay of cash required. It also acts as something of a social melting pot giving them the opportunity to meet people outside their immediate circle in a relaxed atmosphere. The basics of archery are fairly straightforward so people coming to the range for the first time tend to leave it feeling like the time there was well spent.
Experienced combatants also seem to find that doing archery, particularly the later stages of the combat archery training programme, benefits them on the battlefield by improving awareness and tactics. Being able to read the battlefield and identify opportunities is a skill particularly useful to those commanding a line or section. It also provides something new to do and collect stamps for and provides understanding about how to use or react to missiles on the battlefield.
Regia has a fair few old broken warriors whose bodies aren’t able to run around the way they used to and archery provides an outlet for those people too. It’s a way take part in a competition or in combat without having to strain their bodies.
Ultimately archery has the potential to provide something for the vast majority of the society so the question should not be ‘why archery?’ and rather ‘why not archery?’.
Living History
Helen Mallalieu
There have been some really great LHE displays this year at various national and local shows. York had the mini, but busy, LHE in the churchyard of Holy Trinity and at Craigtoun we got to see the Scots wide range of crafts on show with great interactivity for the public.
At Detling my deputies Steph and Catherine organised a total of 35 structures with 17 different activities on display. ‘Craft sharing’ was a success and something we will hopefully be able to repeat at other nationals. At Grimsby, despite the heat, the standard of displays was of great quality. A huge thanks to Mike for providing ice and crisps to get us through the event.
It would be great to continue and develop on craft sharing at events. If you would like to run any craft training at any weekends please do get in touch.
MaA
Simon Kent
It was a pretty good year for the MaA. We’ve had no major changes in the regs, and nothing really exciting/alarming has come up. Please continue to look after your war gear and don’t forget to use the off season to give your gear a good going over. Re-stitch that loose shield rim and give it a lick of paint, re-shaft that spear that’s passed its prime, dress the edge of that sword, you know the drill!
The days of the ‘spitty bucket’ are behind us, so if you have any ideas to help us present our modern water containers and cups around the public please get in touch.
The ‘muster at the banner’ system has proved successful and we are on the look our for a new eye-catching banner. We also have a designated deputy responsible for checking all missiles. Any arrows and javelins must be presented to the MaA deputy at muster.
There are some changes coming up and full details can be found within the MaA regs:
- 1st July: any maille without an integrated hood must be riveted
- 16th August: rules regarding minimum spear-head sizes will come into effect.
Maritime
Greg Collier-Jones
The official account of the year is in my officers report, but I would like to give you a bit more flavour here. What are boat weekends actually like, why come on one, and why do you, yes you, want to be maritime officer (up next year – just saying).
The year began with a couple of weekends of too many people to name putting in a lot of effort to work on the Heron’s refurbishment. In the end the client decided they only needed two boats so again the funding to really drive this forward sadly was not there.
Sailing wise we had two well attended training weekends. The weather was not so kind to us at either but on both we did get a few good trips in. Plus, a show in the middle.
Kielder (May)
What a wet weekend with the wind coming from entirely the wrong direction. Tents were flooded, some sessions were blown off, and others had no wind whatsoever. Then it rained some more. Our planned barbecue was abandoned and we decamped to the sailing club. One thing that sticks in my head is the poor stranded sailing club members trapped by a flat tyre in a room full of wet grumpy Regia. We found a jack, helped remove a tyre and gave them a lift to Hexham (thanks Jimmy). We also had some fun with launching off Chris Illes’ camper with George (of the Scots) being useful as he always is. The last sail was also incredible to see an Osprey less than 100m from the boat trying to take a fish. Also, Claire made it past the headland.
Grimsby (Early September)
The launch went well and the boats were left tied up Thursday night. As is the tradition they promptly sunk. This year, however, they sunk in an entirely different way. The docks let a load of water out and Salmon capsized and did not properly self-right. What we achieved over the next few hours was truly heroic from all involved. I cannot thank you all enough. The evening show was a ballet of boats and pyrotechnics and I think we really impressed.
Llangorse (Late September)
So much weed. Not that kind. Sadly, the lake was filled with a thick weed that made constant clearing of the steering oar the order of the weekend. The boats behaviour this weekend was deeply frustrating but feedback was good and we had the opportunity to do a lot of drills, much to Roger’s delight.
Finally, I want to thank Steve for continuing to be… well, Steve. And Malcolm Leyland who has progressed through the archaic maritime system to be a skipper under oars.
Equestrian
Claire Collier-Jones
I am very impressed with the hard work that members who want to ride put in. Although there have been no Regia organised equestrian events recently we have continued to train with the Welch Horse and take part in battles.
Plans for this coming season include a training weekend and displays at shows and I would like to look into getting horses more involved with the rest of the society.
Officer Elections
Lawspeaker:
Tom Robinson
Authenticity Officer:
Dave Anderson
Membership Officer:
Carrie Ferries
Health & Safety Officer:
John Shulver
Equestrian Officer:
Claire Collier-Jones
Press & Publicity Officer:
Jenn Robinson
Overseas Liaison Officer:
Catherine Stallybrass
Research Officer is now vacant. If you wish to undertake any research for the society or run the conference please speak to the Authenticity Officer.
The full list of Officers is on our website: Who’s Who
New Groups
Lindesige Sæweard
In 2022 Grimsby witnessed the first ever Grim Falfest. From the local reaction we knew that Grimsby needed its very own reenactment group. A lot of questions were asked, brains were picked and advice was sought and on November 1st, after lots of hard work and support from our new Regia family, our group was formed. We held an open day the following weekend and at our first training session on 9th December we could proudly boast 15 members. We would like to thank everyone for their help and support in bringing the group to fruition. Vivat Regia Anglorum!
The full list of Local Groups is on our website: Local Groups
2024 Events
Twelfth Night
6th Jan, Wychurst
Islip
20th-21st Jan, Oxfordshire
Jorvik Viking Festival
17th Feb, York
Wirral Viking Festival
25th-26th May, the Wirral
History in the Park
21st-23rd Jun, Fife
Æthelstan Show
20th-21st Jul, Wiltshire
Keep up to date with all our upcoming events: Diary
In Your Local Area
Hæstingas Oath Swearing
Samual Clarke
Following a bit of digging, Hæstingas realised that the date of Battle of Hastings coincided very closely with the feast day (gemynddæg) of Saint Wilfrid (c. 633-709/10) on 12 October.
This Saint, born in Northumbria, was extremely well travelled, well-known, and at times, very controversial. The choice to involve him was based on his conversion of the Kingdom of Sussex to Christianity, the territory now containing Hastings, and by extension, our very own land grant. The man was know as the Apostle of Sussex for goodness sake, our interests were piqued!
In order to have a physical set of items to display at Hastings, we set to work building a display centred around the central table on the Wic with two principle relics based on the artistic and ecclesiastical history of the period.
The first relic was an icon carved and painted by our group leader, Russell, featuring both Jesus Christ and a rendition of Saint Wilfrid. The imagery was actually lifted from The Benedictional of St Æthewold from the late 10th century. The second relic, slightly more humorous in nature, was a plate of dirt said to have been walked on by Saint Wilfrid on his pilgrimage to Rome. It was inspired by the way many cults surrounding saints gave these relics serious political, not just religious, significance.
To give the whole event some life, we decided to host an oath-swearing ceremony, incorporating the religious element of the Feast Day with the militaristic setting of the war camp. Sam Clarke took the role of the Priest, and prepared a single line of Old English, which the warriors recited. It went as follows:
We þanciaþ Gode ælmihtegum, ond, on ðam haligdomæ Sancti Wilfrithi, sweriaþ ure hlaforde Wulfnoð hyldaþ.
We thank God Almighty, and, on the relics of Saint Wilfrid, swear an oath of fealty to our Lord Wulfnoth.
The amassed warriors knelt and swore an oath before Lord Wulfnoth, Russell’s authentic name, and then came up to say a word before the relics and shake Wulfnoth’s hand.
We do not know much of what this ceremony would look like in the 11th century, other than the fact that people did indeed swear oaths on relics as King Alfred did with the Guthrum for instance. However, we hope the small event brought an extra layer of life to our wic, and allowed us to explore a different part of early medieval society, and local history at an event with international standing.
More details about this event can be found on Sam’s blog:
Mīn Webblēaf
Regia Makes
Regia is full of talented folk. Here are just a few projects from the last year to inspire you.
Your Research
A very brief introduction to Jewish history in England
Jen Cresswell
How does one approach a topic as vast, nuanced and well-documented yet sadly under-represented as the history of the Jewish people in England? I will be breaking it down into smaller articles which will appear over the next few issues. This will allow me to hopefully guide you on a crash course into one of the most interesting areas of our past and one that is central to our period (well, those of us doing Norman history) but is rarely explored.
First a disclaimer; yes I do mean just England, especially for the eleventh century. Debate does rage over whether there was a Jewish presence in the other nations that make up the British isles, but current solid evidence only points to Jewish settlement in England. We know of some Jews working in Ireland and Wales (none yet in Scotland, although this was likely) on errands for nobility, but only England had establish Jewish communities.
Second, who do I mean by the Jewish people? It is important to note that the current Jewish community of the United Kingdom is distinct from this Jewish community. Edward I expelled the Jews in 1290, and they were only allowed back (officially, individuals did come and go) in 1655 under Oliver Cromwell. This is also before the divide we have between Ashkenazi/Sephardic/Misrahi etc. These unique distinctions appear later. However, Jewish people did adopt the dress, customs and language of their country of residence so an English Jew would be different from an Egyptian Jew, but the separate cultural variations seen today had not developed.
With that cleared up, now for a brief overview. The Jewish people officially came to England under the invitation of William the Conqueror in 1070. There is no concrete evidence of Jews beforehand, but this does not mean some came. These Jews were largely from Rouen, and the Jewish population seems to have been primarily French drawn, referring back to French rabbis if clarification was needed on religious or legal disputes. This means they were French speaking, but did use Hebrew for religious services and likely in the home as we have examples of Hebrew being written for personal items. Men tended to have Hebrew names, yet women seemed to have had French names, again pointing to the French origin. The community was never large, only 3000 were left when they were expelled, although this number would be smaller as many had left earlier due to increasing persecution and financial burden. It was likely never over a few thousand. It was, however, widespread. Focused in the south, with York being the most northern, most major settlements had a Jewish community. They were not in established ghettos as seen in Europe later on, but did congregate together so as to be near the synagogues, mikvahs and butchers and tailors who could produce meat and fabric according to the Mosaic laws.
This leads to an interesting aspect of the Jews in England; they were outside the feudal system. Jewish people instead of answering to a local Lord, and being subject to his justice, instead were the direct responsibility of the King, and as such any legal proceedings against a Jewish person was heard by the King or his representative. As a result a lot of legal documents have survived, making the English Jewish community the best documented in mediaeval Europe.
Day to day they were not distinct from the general population. They wore the same clothes and fashions; the only difference is clothing could only be made of one material to follow Leviticus 19:19 which banned the mixing of linen and wool. Due to the wealth of many in the community, the clothing was of high status, with one Jewish woman wearing red dresses trimmed with rabbit fur and blue silk. Court documents also report cases of theft of rings and brooches; pendants are not mentioned. The concept of a Jewish marker on clothing, in England this was the tabula meant to signify the tablets of Moses, does not come until the thirteenth century. The fact that this was needed shows that clothing styles were the same. While laws were also later introduced to ban Jews and Christians from mingling and working for each other, court documents show that they were often neighbours and employers/employees.
I hope to explore the topic of the Jewish people in England more; the archaeological evidence, the unique role of women, key figures in the community like Aaron of Lincoln, interactions with the Kings, and much more. It really is a wonderful area to explore. Let me know too if there is a topic you wish me to write about.
Website
Our website is full of research and society information.
Did you know that we have:
The Regia Armorial
Do you have an Angevin persona? If so, get it added!
Merchandise
We have lots of merchandise designs which can be found on: Spreadshop
Myles has also been busy creating lots of new designs. Check them out: Regia Anglorum Teemill
Clamavi
We have begun to scan in all of the issues of Clamavi; Regia’s original newsletter. These will gradually be posted on the Clamavi page over time for you to browse and see what we used to get up to.
If anyone already has scans of Clamavi or the old Chronicle please get in touch with the General Secretary.
Throwback
This years throwback is to the first issue of Clamavi. This item has been taken from an article entitled:
Reginald Anglegrinder presents… Reggie’s Cutting Comments
Please note any opinions expressed in this item are solely that of the author and does not reflect the views of the current editor.
Wychurst
Wychurst Project Council
Alan Tidy, Ian Lewis, Matt Town, Katya Zielonko
We have had a few private bookings for Regia groups this year but we want to encourage more of you to use the site. Have a chat with your Group Leader about organising an event here. Twelfth Night and Wychurst at War were huge hits and this year we are also planning another authentic weekend.
More people are now attending the Wychurst weekends to help maintain the site, but it would be great to get more of you along to help out and keep this site going. Keep an eye out for upcoming events to get involved. The facilities building is pretty much complete with only a few smaller jobs to be done including touching up paintwork and installing some handrails.
The Cookhouse Project
Matt Town, Katya Zielonko and Stephanie Everest
There have been many finds of oven structures and bread remains in the archaeological record. The bread oven built at the manorial burgh at Portchester was located in a separate building to the hall. This oven was built of re-used tiles which was a common resource on that site, being built inside a Roman fort. At West Stow and North Elmham large clay ovens were uncovered. The one from West Stow, which occupied half a sunken floored building, measured roughly 1.07m in length with a thick clay floor covering a layer of flints. According to surviving literary evidence the ovens could be big enough for a man to fit inside, and many ovens uncovered on archaeological excavations have proven just that.
At Wychurst we started with the need for a cover for the bread oven which was built around 10 years ago by members of Regia. This idea then grew into a bread oven-come-kitchen work area which could benefit the hall during feasts.
We constructed the frame out of green sawn oak and used traditional joints where necessary. We then had a workshop where members came along and were taught the basics of framing and construction. As a group we made and raised the roof and begun to cover the roof with oak shingles. We aim to have the last shingles on by the end of the year. Construction will then be finished for the year and we will be ready for the furnishing early next year.
This has been a great opportunity for members to get involved, learn new skills and put their stamp on the site. We will share our plans for next year soon and encourage all members to get involved
Benches for the Longhall
Alan Tidy
The 20 benches that were made for Wychurst a decade ago were one of a long list of “temporary” items that were built when we had less than ideal material to hand (scaffold planks). So, with funds being made available we put together a simple cutting list to recreate them in a more appropriate species of wood and a more authentic construction.
Everything was made with 1½ inch / 40mm (nominal) oak. Rather than a multitude of little benches, the benches were going to be as long as the tables, about 6 feet / 1.8 metres, so they needed to be thick enough not to break when heavily loaded in the centre. After letting the timber rest for a few months we cut lengths of wood from the oak planks (called “ripping”) to make the legs, which were then turned at home, on a lathe.
The narrower tops of each leg that were destined to be inserted into the bench tops (called “tenons”) were “finessed” to fit with a belt sander and then glued and wedged in placed before levelling then bench on the classroom floor, so they don’t wobble. Wedging is the process of cutting a slot in the top of the tenon, then when in place, driving a wedge of sufficient size and thickness into that slot. They were finished with a final sanding in the workshop before varnishing.
Questions from MoPs
We all have a series of questions that we get asked as we do our displays, and our go-to responses. What 5 questions do you know how to answer?
Embroidery
Jenn Robinson
“What is this? It looks like stuff my grandma makes.”
So this is embroidery, and you’re right! It’s probably is almost identical to the modern craft, which makes it over a thousand years old! Embroidery is essentially drawing and colouring in with coloured thread, usually linen, wool, or silk. Modern embroidery uses cotton but the basic stitches are the same. You draw the outline of the design and then fill it in with colours.
“That looks familiar… is that from the Bayeux tapestry?”
The Bayeux tapestry is definitely one of the most well known examples of embroidery in the world, and note that it is actually an embroidery, not a tapestry like it’s called. In our modern definitions, a tapestry has the different colours of thread woven into the original fabric to create the design whereas an embroidery sews the design on top of an already woven piece of fabric. The 70 metre embroidery tells the story of the Battle of Hastings and explains the Norman Conquest. It was likely commissioned this way to show the illiterate public the version of history that William wanted to be widespread. It also makes it fascinating because it is likely one of the few examples of a historical account that would have been created by women, since embroidery was a female craft. It uses a style called “couching” which leaves most of the colours thread on top and is very efficient when you need to make a piece that is taller than the Leaning Tower of Pisa or Nelson’s Column.
“What kind of things would be embroidered? Why?”
Embroidery was a status symbol. It takes a lot of time and the richness and variety of the colours would make even the most basic embroidery a luxury. Halls might be decorated with wall hangings, the collars and cuffs of both tunics and dresses would have been adorned, and fabrics used in religious ceremonies, like altar hanging or religious robes would have had Christian iconography. Everything medieval lords and leaders did was a demonstration of their wealth, because if they’re wealthy, they show themselves to be stable and able to provide for their kingdoms, so they would have worn clothing that matched their status. If we think about it, logos are still often embroidered on clothing so that you have ideas about the implied wealth or status of the person wearing it.
“What evidence of embroidery is there?”
Unfortunately, very few examples of early medieval embroidery exist because material fibres don’t survive very well in the ground. Wool, for example, can decay within 5 months of being buried, so only items that have been consistently cared for or preserved in special situations exist today. For Viking era embroidery, we have examples from the Oseberg tapestry and the Mammen clothing. From the Saxon period, we have the Durham Embroideries, which were ecclesiastical garments, the craft is mentioned in literary sources, and manuscript illustrations show decorated trims on clothing. Normans, obviously, had the Bayeaux tapestry and from there the craft grew throughout the later medieval periods.
“Where do you get these designs from?”
Because existing styles of embroidery are so rare, as re-enactors, we take patterns or design ideas from other decorated items like coins, rune stones, manuscripts, jewellery, carvings and so on. We allow ourselves a small bit of creative licence, as long as what we’re making would match contemporary designs, for example, simple squiggles and geometric patterns are common, leafy designs, a few animals, and so on.
On Screen
The Vikings, Channel 5
Matt Harvey
In April 2023, Regia Anglorum was invited to take part in filmwork for a three-part documentary series entitled Vikings: Blood, Conquest and Kingdom. The series would be presented by Dr Xand van Tulleken and archaeologist Raksha Dave, and told the story of the struggle between King Æthelred the Unready and the Danish King Cnut in the early 11th Century.
Around 25 Regia Anglorum members were conscripted as extras. A few members even got “starring” roles, with Roland Williamson as the doomed king Æthelred the Unready, and Giacomo Lamanuzzi as his rebellious son, Edmund Ironside. Jade Parsonage played Æthelred’s wife Queen Emma/Ælfgifu of Normandy, who was later obliged to marry their enemy, King Cnut. The “baddies” were JP Stubbings as Cnut’s father, Sweyn Forkbeard; aided and abetted by Matt Harvey as Eadric “the Grasper” Streona.
Filming took place over five days at the Wychurst site, and made great use of the location. There were feasting scenes inside the longhouse, battle scenes in the woods and fields behind the Scout Hall, and a siege against the gates, complete with battering ram!
The Vikings is available to watch online until 18th May 2027.
Screenshots, Episodes 1-3, The Vikings
Channel 5, 2023
Social Outreach
Press and Publicity Officer
Jenn Robinson
#RegiaAnglorum
Our top posts this year:
Social Media Following
We are showing consistent growth over most of the platforms. Our 𝕏 (ex-Twitter) following has gone down, but that is likely more Elon Musk’s fault than ours. We don’t have a record of our previous years YouTube following. Our Facebook following has a far and wide geographical reach, including countries such as Mexico, Poland, Spain, Canada, France, Germany, Italy and Australia.
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Instagram
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